Audio Mixing Consoles

ATRIUM is a digital audio mixer specially designed for radio and television audio production and broadcasting in the most demanding working environments. 

FORUM is a family of digital audio mixing consoles specially designed for ON-AIR control. Simplicity and control power are combined in FORUM IP to cover different operation needs. Two versions: SPLIT (up to 24 faders) and LITE (up to 12 faders). Available in two formats: countersunk or desktop.

Capitol IP is a very compact, programmable broadcast mixing console. The control surface comes with 8 or 12 faders. The Control surface connects with an Audio engine or core and is available in two formats: recessed and desktop.

Digital Hybrid with AEQ's Frequency Extender incorporated. TH-03 is an advanced digital hybrid that comes with 2 telephone lines and either analog or optional AES/EBU digital inputs and outputs.

SYSTEL IP is a “call-in” system with multiconference capability that drastically reduces the costs for this type of communications. Further, it significantly improves the audio quality, increases the flexibility and integration with already existing telephone systems at the station.

ConeXia has the capacity of up to 1024 x 1024 cross-points and is based upon a modular system of audio I/O cards.

But what really makes ConeXia special is the possibility to integrate intercom and broadcast audio sources into the same matrix, with 48 KHz 24 bits sampling and a 100% redundant system.

This high-performance digital intercom matrix provides broadcast-quality audio. Depending on the version, it can incorporate up to 168 x 168 ports. 128 of them can be AoIP featuring DANTE™ technology, compatible with AES 67 standard, which can easily be connected using existing Ethernet networks through conventional hubs and switches, and offering optional redundancy.

A Real Game Changer for Broadcast Productions. Thanks to its advanced virtual network system, Xpeak is perfect for remote production and when part of the team is working remotely. Connections and start-ups are simplified to a maximum. Equipment and terminals are automatically located, even without being on the same network, allowing for simple and agile interconnections.

AEQ Audio Codecs Quick Guide, Main Features and Photo Gallery.

The story begins when AEQ Audio Codecs were chosen to transport the commentary audio to the International Broadcast Centre in Dallas from all the venues for the FIFA world cup in the USA. Supplementary contracts was awarded to AEQ for the same type of equipment from EBU Sports (European Broadcasting Union) and were distributed throughout the World among the EBU Members and other Broadcasters.

High-density multi-channel codec. It can be purchased with eight bidirectional stereo channels and upgraded in groups of eight channels, to build up to 64 channels in a single 1RU 19-inch form factor. Audio I/O is via IP using Dante (AES-67 compatible). Redundancy can be added with a second Ethernet port where required. Audio coding algorithms include Opus in various flavors, G.722, G.711 and uncompressed PCM audio (16 bit). Several MPEG-4 AAC modes plus apt-X are available as licensed options.

Two Channel, full duplex, stereo IP Audiocodec with local analogue, digital and AoIP Dante™ /AES67 Inputs and Outputs

It supports two independent stereo/dual stereo or four mono connections to two different destinations with selectable formats and qualities. Incorporates remote control and configuration support tools, three network ports, two RS232 auxiliary data links and choice of redundant AC or 48V DC power supply.

Phoenix STRATOS is a Dual channel rackmounted audiocodec with IP, ISDN and X21/V35 connectivity. Comprehensive, redundant, easy to use and controllable - for your station or network communications! This AudioCodec is the solution for any broadcaster with the need for a versatile but yet straghtforward and efficient AudioCodec.

The AEQ MERCURY is a full duplex, Stereo, IP audiocodec allowing for connections in Stereo, Dual or Mono. The codec is exclusively controlled through a simple PC interface, allowing for the remote or local management of one or a series of audiocodecs.

Ultra-compact personal Audiocodec.

Control and configure your equipment from your Smartphone or computer.

All front panel controls are available in two applications:

- A smartphone app, TALENT PILOT, which allows you to control and configure the equipment.

- Another remote for PC, PHOENIX CONTROL, allows remote configuration and operation of a fleet of audiocodecs.

Portable Audiocodec with IP connectivity.

Phoenix ALIO has been designed specifically for sports broadcasting, but has been optimised to make it easy to use in a wide variety of scenarios, including music events. Its compact design, resistant to pressure, impacts and even liquids, is optimised for outdoor use and where handling is not always gentle.

X_CORE is AEQ’s fifth generation of large digital audio routing matrices for broadcast and intercom applications. It has been designed for highly intensive workflows in the most demanding environments.

Operating as a general purpose audio routing-matrix, as an intercom matrix or combining both functionalities together, it can handle audio channels associated with IP video streams or embedded into SDI digital video signals.

NETBOX DSP is a scalable audio matrix with 64 to 160 audio inputs and outputs, capable of receiving audio from a Dante or AES67 network and returning it mixed and processed for use in other equipment or subsystems. It can also generate test signals and send vumeters. The NETBOX DSP incorporates 16 GPIs and 16 GPOs. Virtualized GPIOs can also be transported over the IP network between compatible equipment. Al its inputs and outputs are over the Dante network.

It is a 64 x 64 circuit audio matrix mixer and distributor. 

It can route each of its 16 analogue, 16 digital and 32 IP network inputs to any or all of its 64 outputs (16 analogue, 16 digital and 32 IP). 

As it is an adder, it can also mix combinations of its 16 analogue, 16 digital and 32 IP network inputs, each with its corresponding level, on each of its 64 outputs (16 analogue, 16 digital and 32 IP).

New NETBOX 4MH interface has been designed to cover the need for high quality microphone inputs and headphone outputs availability outputs, for example in radio and TV studios, stage or multimedia installations. The multichannel IP connectivity (Audinate DANTE™ protocol) makes the Inputs of the unit available at any point of the network.

NETBOX 4MH interface also includes 4 General Purpose inputs and outputs (GPIO). 

NETBOX 8 AD inferface features 8 inputs and 8 outputs, organized in 4 mono analog and 2 digital stereo channels. Stereo digital ones can be configured as AES/EBU or SPDIF standards. The second digital stereo channel can also be switched to a USB connector to ease the connection to an audio workstation. It also provides 4 GPI and 4 GPO. The GPO port includes a power supply pin to feed the output circuitry.

NETBOX 32 AD interface features 32 input and 32 output channels organized in 16 mono analog + 8 stereo digital channels. The stereo digital audio channels can be configured as AES/EBU or SPDIF standard. It also incorporates 16 GPI and 16 GPO (each GPO connector includes a power supply pin to feed the output circuitry).

UHD Monitors with broadcast features based on quadruple 10 bit processor. The available Monitor sizes are 55” (3840 x 2160), 31" (4096 x 2160) and 24" (3840 x 2160). High performing monitor that support the reproduction of 4K video signals in Single and Quad-Link, both in “Square division” and “2-sample interleave” formats. 

HDR support.

New 9”, 18,5” and 24” broadcast monitors from KROMA BY AEQ family with FULL-HD resolution and 3G support for test and measurement of signals in video and television production centers. Improved Color depth of the displayed images, significantly improving the linearity of the monitor as well as the quantity of colors it can manage. 

New 9”, 17", 18,5”, 24” and 46" broadcast monitors from KROMA BY AEQ family with 3G support for test and measurement of signals in video and television production centers. Improved Color depth of the displayed images, significantly improving the linearity of the monitor as well as the quantity of colors it can manage.